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		<description>Into The Great 
Wide Open
Selected Portfolio
Roos Groothuizen + Cyanne van den Houten</description>
		
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		<title>Roodkapje &#124; Agency and Machine &#124; Campaign &#124; 2021</title>
				
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︎︎︎ Discover the program online: www.hamburger.community



agency and machine

Spawning from the practice of Gill Baldwin as an artist, the first Hamburger Community block is centred around the conceptual topic Agency and Machine. Central to this topic is the question what happens when artists/musicians/designers/creatives are introduced to, and engage with, technology and artificial intelligence in their work and practice. Through music, events, podcasts, lectures, workshops, streams, etc. we will investigate this question within this block.

Client:  Roodkapje Rotterdam Rulers of creative direction + template design: Hughes JosephMaterials:  online campaign, websiteYear: 2020, 2021
︎︎︎ ︎︎︎</description>
		
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exhibitionSelected exhibition design</description>
		
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		<title>BrAInpower &#124; Museum Boerhaave &#124; Exhibition Design &#124; Identity</title>
				
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		<pubDate>Mon, 19 Sep 2022 19:21:57 +0000</pubDate>

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brainpower
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	Van deepfakes, streamingdiensten en dating apps tot gezichtsherkenning, zelfrijdende auto’s en medische toepassingen: we kunnen niet meer om kunstmatige intelligentie heen. Het verandert onze levens, zoals ooit stoommachines ten tijde van de industriële revolutie dit deden. De tentoonstelling BrAInpower laat zien waar AI met succes kan worden ingezet, hoe we er de vruchten van plukken, maar belicht ook de schaduwkanten.Gastconservator Bas Haring is de gids in deze expositie en leidt de bezoeker langs thema’s over vrije wil, consequent redeneren, zelf leren en: hoe bijzonder zijn wij eigenlijk? De verschillende thema's geven stof tot nadenken: hoe hebben de computer en AI ons leven verrijkt? En: wat zijn de schaduwzijden ervan? Er wordt in de tentoonstelling aandacht besteed aan discriminerende data: hoe bevooroordeeld zijn algoritmes? Maar ook aan het gebruik van AI voor de verwerking van een posttraumatische stressstoornis (PTSS) of voor het stellen van een kankerdiagnose. Persoonlijke verhalen laten zien hoe AI overal aanwezig is en welke impact dit heeft op ons leven. In de tentoonstelling staan historische, wetenschappelijke en kunstobjecten, waaronder de Next Rembrandt van Wunderman Thomson, de Reprobots van Gusz Eiben, zorgrobot Alice, het project 0,0146 seconds van kunstenares Julia Janssen en een deepfake van Alan Turing. Tot de highlights van BrAInpower behoren originele brieven van Alan Turing, de grondlegger van kunstmatige intelligentie, die Rijksmuseum Boerhaave speciaal voor deze tentoonstelling van King’s College in Cambridge in bruikleen heeft.

	


	
	
Voor de vormgeving van de tentoonstelling en het ontwerp van het campagnebeeld is AI gebruikt. Zo werd de typografie in de tentoonstelling en voor de campagne door AI gegenereerd en vormgegeven. 

De nieuwe tentoonstelling BrAInpower is van 9 september 2022 t/m 5 maart 2023 te zien bij Rijksmuseum Boerhaave.

De tentoonstelling BrAInpower is mede mogelijk gemaakt door een financiële bijdrage van het Ministerie van Onderwijs, Cultuur en Wetenschap en Stichting ADP.


	



Client: Museum Boerhaave
In collaboration with: Loes Claessens
Spatial Design: Designwolf
Font: http://www.machinelearningfont.com/ by&#38;nbsp;https://nan.xyz/Materials:identity, campaign, online campaign, exhibition graphic design, printYear: 2022


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		<title>FAKE ME HARD &#124; Exhibition Design + Routing &#124; Identity</title>
				
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		<pubDate>Fri, 14 Jan 2022 11:16:46 +0000</pubDate>

		<dc:creator>TRIPCODE</dc:creator>

		<guid isPermaLink="true">https://tripcode.nl/FAKE-ME-HARD-Exhibition-Design-Routing-Identity</guid>

		<description>&#60;img width="900" height="900" width_o="900" height_o="900" data-src="https://freight.cargo.site/t/original/i/b253d50c1e9526ebb67b0a72d25914c8c0f55ec8daed3286da2147758ff78421/ezgif.com-gif-maker-31.gif" data-mid="130138429" border="0" data-scale="75" src="https://freight.cargo.site/w/900/i/b253d50c1e9526ebb67b0a72d25914c8c0f55ec8daed3286da2147758ff78421/ezgif.com-gif-maker-31.gif" /&#62;
	
	FAKE ME HARD is a spectacular exhibition about the ‘post-truth’ society by the creators of ROBOT LOVE and TEC ART from June 30 to August 15, 2021 at AVLMundo M4H, Rotterdam. FAKE ME HARD kicks off covid-proof during Art Rotterdam.On the cutting-edge of art and technology, FAKE ME HARD explores the complex reality of the 21st century. Visitors await an uncanny landscape that they can enter safely, each with their own fake profile. Music-making robots set the tone playfully and with humor. A low hanging light haze determines the route. Algorithms, big data and profiles determine where we go or stand. Do algorithms determine what is fact or fiction? Are human narratives slowly becoming irrelevant? How to survive the post-truth society?︎︎︎ visit website
	





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	&#60;img width="1967" height="280" width_o="1967" height_o="280" data-src="https://freight.cargo.site/t/original/i/b89f77ef216ba24d8bc4dbd4ccf578067658c91b4572ef8dd2f2fce9a93d7875/FMH-Fake-Me-Hard.png" data-mid="130138392" border="0"  src="https://freight.cargo.site/w/1000/i/b89f77ef216ba24d8bc4dbd4ccf578067658c91b4572ef8dd2f2fce9a93d7875/FMH-Fake-Me-Hard.png" /&#62;
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FAKE ME HARD



	
	
We developed the identity for FAKE ME HARD around the poetic ever-changing meaning of truth in a digital age.
 
The design system is based on 2 variable fonts: they can alter, reshape themself and get other meanings over time. 
By using a font that is generated by a machine learning algorithm trained on 2674 fonts (project by Nan.xyz) the typography is embodying content of the exhibition. Visually it represents the rebellious 80s infused spirits of D.I.Y. punk culture and so PLANET ART + Niet Normaal. 
Team Human strikes back!On the website the letters grow and slink in their own phase, slightly distorting the information. Fake News tickers ask for your click. Neon flickering chromatic type is drawing your attention to discover all the artists represented in the exhibition.
All of these elements you see back in the grimey enormous old factory AVL Mundo, the exhibition space - as the Volkskrant said “The Haunted House of digital technologies in the 21st Century”.




	




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Client: Niet Normaal int. + PLANETARTIn collaboration with: Roos Groothuizen
Font:&#38;nbsp;http://www.machinelearningfont.com/ by&#38;nbsp;https://nan.xyz/Materials:  identity, logo, online campaign, website, print, newsletterYear: 2021</description>
		
	</item>
		
		
	<item>
		<title>Telemagic: 1 Euro Cinema &#124; Exhibition Design</title>
				
		<link>https://tripcode.nl/Telemagic-1-Euro-Cinema-Exhibition-Design</link>

		<pubDate>Sun, 28 Feb 2021 18:17:35 +0000</pubDate>

		<dc:creator>TRIPCODE</dc:creator>

		<guid isPermaLink="true">https://tripcode.nl/Telemagic-1-Euro-Cinema-Exhibition-Design</guid>

		<description>&#60;img width="1500" height="1002" width_o="1500" height_o="1002" data-src="https://freight.cargo.site/t/original/i/41b678d183efa614f23b6e9b773f294d1c74a91ad45ccc5f982a31fb4e32e716/14.jpg" data-mid="100416712" border="0"  src="https://freight.cargo.site/w/1000/i/41b678d183efa614f23b6e9b773f294d1c74a91ad45ccc5f982a31fb4e32e716/14.jpg" /&#62;&#60;img width="1500" height="1002" width_o="1500" height_o="1002" data-src="https://freight.cargo.site/t/original/i/7b2b4efb32dee968bafcfa92ae9bbf1a5a0cce4e736f5641a686134a9a0b31fa/5.jpg" data-mid="100416648" border="0"  src="https://freight.cargo.site/w/1000/i/7b2b4efb32dee968bafcfa92ae9bbf1a5a0cce4e736f5641a686134a9a0b31fa/5.jpg" /&#62;




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	The 1 Euro Cinema is a cinematic oracle curated by TELEMAGIC showing video works made by over 40 artists questioning topics that touch upon the mysteries that revolve around new media.
 
The installation randomly screens a movie if you insert a 1 euro coin.
Series with Guest Curators are:︎︎︎ Chaos/Succes Magic with Biyi Zhu︎︎︎ D.I.Y. Music Videos with Juliette Lizotte︎︎︎ Coupled Worlds with Susanne JannsenThe sticker on the box is an illustration that instructs you on how to use this oracle. When you offer it a coin a sequence of  hypnosis will follow - the anarchistic algorithm picks a movie without any human control. The spiral, as found on the box now pops up on the screen - moving and counting down with a title sequence of the film the oracle has chosen for you.
The overarching visual started out inspired by anime culture (and free footage), celebrating alike themes: fantasties, fictional futures, action-filled plots, vibrant stories captured in stark colorful graphics.
The box never changes it’s visuality, but everytime we exhibit the 1 Euro Cinema we give the digital visual and space a big metamorphosis representing the theme of the serie. Sometimes by beach chairs or cushions with all the participatings artists names on it.. sometimes by translating the complete concept to a digital environment&#38;nbsp;︎︎︎



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&#60;img width="720" height="720" width_o="720" height_o="720" data-src="https://freight.cargo.site/t/original/i/021fa94056e835d793614cde2239707bc301991777c67889622b76c8ac6211df/ezgif.com-gif-maker-54.gif" data-mid="134994070" border="0"  src="https://freight.cargo.site/w/720/i/021fa94056e835d793614cde2239707bc301991777c67889622b76c8ac6211df/ezgif.com-gif-maker-54.gif" /&#62;

And sometimes.. translating the digital work to a physical exhibition again. For the online series Coupled Worlds of the 1 Euro Cinema, we decided to make a surrealist e-holiday retreat. 


It was midst covid lockdown in the Netherlands and the urges were high to go on vacation and escape reality.The 1 Euro Cinema online x Coupled World series has 4 different islands where videoworks live as flora and fauna. In this neon litted set-up you were able to go on a search for these critters or just enjoy the view of endless digital beaches. All from under an umbrella in an office chair planted in the sand. For the sharp player, clues of the hiding places of the critters on the special designed wallpaper.

By all inclusive travel Burgertrut served a cocktail in this beach resort e-cafe corresponding to islands you visited. And while leaving you could send your chosen family a message by the Coupled Worlds postcard.


	
Client:Telemagic, Biyi Zhu, Macau Design CenterMaterials:online campaign, e-mail invites, video, exhibition design, postersSound design: The Living Void
Year: 2018-2022
</description>
		
	</item>
		
		
	<item>
		<title>DDG: Domestic Affairs &#124; Exhibition Design</title>
				
		<link>https://tripcode.nl/DDG-Domestic-Affairs-Exhibition-Design</link>

		<pubDate>Mon, 23 Oct 2017 16:07:02 +0000</pubDate>

		<dc:creator>TRIPCODE</dc:creator>

		<guid isPermaLink="true">https://tripcode.nl/DDG-Domestic-Affairs-Exhibition-Design</guid>

		<description>
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In this exhibition, we try to understand the above conditions and their impact through the lens of the interior. We blur our homes on digital 'street views', build Faraday cages around beds, at the same time we let strangers stay in our homes and share pictures of what we eat online; earning a penny for each click.

Our home is no longer just a place to live; it's a means of sustenance, a place where we participate in or disturb political systems, and also a place where we are part of the global economy. The exhibition DOMESTIC AFFAIRS explores the house as an interface to our social, economic, and political lives.
Domestic Affairs is a triptych, which started in Köln during Passagen, the continued as Dutch Pavillion at the Bi-city Biennial of Architecture and Urbanism in Shenzhen and Hongkong, and will have its' finissage in Doha, Qatar in spring 2016.
Curated by The Institute for Relevant Studies [Agata Jaworska and Giovanni Innella] Design with: ⑇ Design Displacement Group ⑇ 
Materials: Newspaper + exhibition design
Exhibited: Shenzhen, UABB Biennal + Kunsthaus Rhenania, Kölln + Firestation Doha
Pictures Shenzhen:&#38;nbsp;Lard BuurmanCommissioned by: Bureau Europa &#38;amp; Fund for Creative Industry&#38;nbsp; &#38;nbsp;Year: 2015, 2016





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		<title>DDG: rise-shine.world &#124; UABB Biennale Shenzhen &#124; Exhibition Design</title>
				
		<link>https://tripcode.nl/DDG-rise-shine-world-UABB-Biennale-Shenzhen-Exhibition-Design</link>

		<pubDate>Tue, 24 Oct 2017 23:02:22 +0000</pubDate>

		<dc:creator>TRIPCODE</dc:creator>

		<guid isPermaLink="true">https://tripcode.nl/DDG-rise-shine-world-UABB-Biennale-Shenzhen-Exhibition-Design</guid>

		<description>
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Rise &#38;amp; Shine, was a performative newsroom disseminating information about projects by Dutch architects, urbanists, designers and academics on display at UABB.

Design Displacement Group operated as ‘live reporters’ in a production unit, working on interviews, breaking news stories and image making. Everything was live-streamed as a nonlinear documentary and broadcasted online.
Rise &#38;amp; Shine aims to manifest and mediate the cultural capital present in Shenzhen. The Dutch initiatives differ in scale and circles of influence yet have an inquisitive state of mind and a knack for optimization in common. This is expressed through small-scale, often temporary interventions, the reassessment of resources and local production. Typical for these design and research attitudes are co-creation and commoning, craftsmanship through technology and the ‘dematerialization’ of design into smart strategies.


Rise &#38;amp; Shine is hosted by Het Nieuwe Instituut and The Consulate General of the Netherlands in Guangzhou, and is developed by Bureau Europa and Design Displacement Group.
www.rise-shine.world 


Client:&#38;nbsp;Bureau Europa
In collaboration with: Design Displacement Group
Materials: website, non linear news channel, poster, flyer, digital images, mugs, hand-outsPictures: Lard BuurmanWith help of: Fund for Creative Industry &#38;nbsp;

Year: 2016
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